The Struggle of Artwork
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Consider The Struggle of Artwork as robust love…for your self.
Since 2002, The Struggle of Artwork has impressed individuals world wide to defeat “resistance”; to acknowledge and knock down dream-blocking boundaries and to silence the naysayers inside us. Resistance kicks everybody’s butt, and the need to defeat it’s equally as common. The Struggle of Artwork identifies the enemy that all of us should face, outlines a battle plan to beat this inner foe, then pinpoints simply the way to obtain the best success.
Although it was written for writers, it has been embraced by enterprise entrepreneurs, actors, dancers, painters, photographers, filmmakers, army service members, and hundreds of others world wide.
Prospects say
Prospects discover the e-book inspiring and sensible. They reward the writer’s eloquent writing fashion and relatable recommendation. Many readers respect the honesty, rawness, and truths the e-book affords. The e-book is described as quick however very direct, with bite-sized chapters. Readers benefit from the humor and lighthearted tone. Opinions differ on preachiness, with some discovering it useful and mystical, whereas others really feel it is off-putting.
AI-generated from the textual content of buyer evaluations
philip little –
The War of Art: A Manual in Winning at Life
The cover of The War of Art has a quote by Esquire Magazine. It reads, âA vital gem⦠a kick in the ass.â Flip the book open and the reader will see the book is published by a firm called Black Irish Entertainment. Itâs logo is a single boxing glove. While reading this book, I couldnât help but constantly think back to this quote and image. Each chapter felt like a punch to the gut, a wake up call, a kick in the ass. Steven Pressfield titled his book The War of Art: Break Through the Blocks and Win Your Inner Creative Battles and he presents his readers with just that. A manual on fighting and defeating the opponent of life and resistance. I strongly recommend this book to anyone looking for the tools necessary to overcome lifeâs greatest obstacles, develop yourself into an accomplished professional, and become the ultimate versions of yourself. Here’s why:The book was first published in 2002 and written by Steven Pressfield. Pressfield is most known for his historical fiction but has also produced many award winning non-fiction works and screenplays. His first book, The Legend of Bagger Vance, was made into a reputable film in 1995. His writing often draws parallels between historical classics, religious archetypes, and motivational revelations about his struggles and othersâ. His tales have motivated multitudes of individuals to conquer their fears, reach their potential, and accomplish their dreams.The War of Art is split into three books. The first book is called Resistance: Defining the Enemy. He uses this chapter to call out what he believes as the root to most of our problems. He defines Resistance as âThe enemy withinâ and a âForce of natureâ. Itâs a ârepelling force. Itâs negativeâ, âResistance will tell you anything to keep you from doing your workâ, and âResistance aims to kill.â He says everyone has had a battle with Resistance and itâs the root to many of the issues we face and develop in our lives. Substance dependence, unhappiness, and anger are just some of the effects caused from our internal battle with this self-sabotage energy. Each chapter is poetically written to describe the way resistance can infiltrate our lives and destroy us from within. The goal of this chapter is to identify to readers Resistanceâs characteristics so they can recognize and fight it when face to face with this malevolence.The second book is called Combating Resistance: Turning Pro. Pressfield uses the terms professional and amateur to describe the battle with Resistance. He explains that those defeated by Resistance think like amateurs, and professionals are equipped with the tools to overpower their Resistance and reach their potential. Some of these chapters describe a professional’s attributes. Theyâre titled: A Professional is Patient, A Professional Acts in the Face of Fear, A Professional Reinvents Himself, etc. He uses stories and accounts of his own life and others, such as golfer Tiger Woods, to paint the picture of perseverance, focus, and strength. My favorite quote from this book comes from his chapter How to be Miserable. A marine himself, he briefly talks about how Marines are trained to love being miserable, to embrace the struggle, and fight to the death. The last line reads: âBecause this is war, baby. And War is hell.âBook Three is called Beyond Resistance: The Higher Realm. This chapter aims to harness the psychic powers needed to fight the Resistance he described earlier. He uses terms such as angels, demons, and muses, but offers his more secular audience the option to think of these forces as abstract and impersonal, such as gravity, instincts, or universal forces. He claims we need these allies if we are ever to defeat the enemy of Resistance. He mentions the Athenian Xenophon who would make sacrifices to the gods and call for their aid before any expedition. His own version of this he calls invoking the Muse, a Greek mythology term used to describe the nine Goddesses, or even a person or personified force used as a source of inspiration to artists. Additionally, Pressfield goes on to describe the difference between the Ego and Self. With quotes from famous psychologists such as Freud and Jung, he believes the Ego is where Resistance lies, while the Self is where the angles, or good forces, live. He describes the characteristics of the ego and how it is the âpart of the psyche that believes in material existenceâ and nothing more. While the Self is our deepest being, united to God, and is ever-growing and ever-evolving. The Ego hates the Self, Pressfield writes, and is the perpetrator for growth, progression, and success. He goes on to describe what the Authentic self looks like, how to defeat the hierarchical orientation, and how to unleash the artist within us.As a young aspiring professional on the cusp of a career and âthe rest of my lifeâ, this book struck the deepest cord in me and immediately earned its place in my list of books to re-read every year. Itâs an easy read and I read it cover to cover in about three hours. Itâs organized like a manual, with short chapters, and important titles and messages that will resonate with you at different points in your life. While reading its entirety is do-able, one can just as easily flip through the chapters and meditate on the headline and chapter that speaks to you most. It makes for the ultimate bed-side book for any artists looking for daily motivation to break through their creative struggles. Pressfield also seemed to speak to me specifically. I have long been a lover of Greek mythology and culture, Xenophon, and the Bhagavad-Gita, all which he mentions and parallels in his chapters. I was also a fan of the spiritual take-aways in his third book. The War of Art is a self-help book, but differs to many I have read. It is straight to the point, raw, and hard-hitting. While many self-help books rely on abstract and vague themes, Pressfield tells his readers his truth with his own words, as blunt as possible. Itâs entertaining, easy to read, and powerful to anyone seeking help.Typically, I try to stay away from definitive statements, such as âEveryone would enjoy or resonate with this book.â We are all individuals that react differently to everything. But I do firmly believe this book would provide everyone of itâs readers a piece of something they have been looking for. We are all artists, and without unlocking the creative power within us, we find ourselves riddled with dilemmas and obstacles that are far from conquerable. For all willing, this book will help you identify the enemy, equip you with the tools to fight, and unlock the mystical powers that will help you live a fulfilling life.
Tom Venuto, Author of Burn the Fat, Feed The Muscle –
How to defeat the hidden forces that hold us back from doing our work and pursuing our calling
Published in 2002, The War of Art is about breaking through blocks that hold you back and disciplining yourself to do important work and pursue your calling. This book is aimed at creative artists, especially writers. But it contains lessons for anyone pursuing growth in any area who feels blocked by self-sabotaging behavior or failure to act.The premise is that there are hidden forces working against us, leading to inaction, distraction, procrastination, complacency, fear and self-destructive behavior. The author calls these forces “resistance.” They exist within us as negative tendencies or programming in our subconscious. The resistance may also be outside us, as in associations with the wrong people, or addiction to distractions (which today includes social media).Resistance doesnât only affect writers. It hits in endeavors such as business, education, breaking bad habits and even, wrote Pressfield, “Any diet or health regimen.â The back cover blurb says, âDream about writing the great American novel? Regret not finishing your paintings? Wish you could start dieting or exercising today? Hope to run a marathon some day?â Resistance is what holds us back from these undertakings.The War of Art is divided into three parts. In part one, Defining The Enemy, Pressfield describes the insidious nature of resistance. He explains it from his perspective as a writer, but lists many activities that elicit resistance. This includes any pursuit that calls for rejecting instant gratification in favor of long-term growth, health or integrity. He also warns of the cost of giving in to resistance.In part two, Combatting Resistance, youâre encouraged that resistance can be beaten. The way is by turning pro and ceasing to act like an amateur. You learn that this is not an easy task. You only turn pro by practicing self-discipline and pursuing self-mastery.Hereâs a partial list of what Pressfield says turning pro looks like: 1. The pro shows up every day no matter what. 2. The pro is committed for the long haul. 3. The pro knows the stakes are high and real. 4. The pro masters the technique of their craft. 5. The pro doesnât accept excuses. 6. The pro keeps working with the cards he is dealt. 7. The pro is a student of the game for life and open to coaching. 8. The pro reinvents himself. 9. The pro endures adversity. 10. The pro is patient.The third part of The War of Art is called, Beyond Resistance: Higher Realm. Some readers might find this part strange or even off-putting as it touches on spiritual topics. The author uses the term âmusesâ or even âangelsâ to describe the invisible source of inspiration that spurs us on to do our work. However, depending on your belief system, you could conceptualize this two ways:One, this is the subconscious. This powerful part of our mind stores everything weâve ever seen, read and experienced and can call it up into conscious awareness. It can also assemble old ideas and knowledge into new combinations. It is the wellspring of our creativity. Two, thereâs a universal consciousness. This is a higher power, creative in nature, and possessing all knowledge. We are connected to it, or one with it in individualized form. We can call on it. But we can also cut ourselves off from this inspiration if we identify only with the ego and physical self.The second interpretation appears more powerful, infinitely so. In either case, the author does not suggest just sitting around to pray or meditate. The key is setting an intention and then starting the work. You commit to show up and simply begin no matter what. As you begin, you ask for guidance (âinvoke the museâ), and the beneficent unseen forces show up. Youâre inspired to keep taking action. Youâre infused with energy. Ideas keep popping into your head.A core message is that we are creative and growth-oriented beings by nature and we have a channel to a creative source. Failure to act on our higher urges, do our work and create something or grow as a person means a life unlived, and cheating others out of our potential contributions.Pressfield has a unique, impactful style. There are a couple F bombs, but colorful language is not gratuitous. At 165 pages, you can zip through the book quickly, especially because some pages contain only one paragraph. I can understand how this book might not be everyoneâs cup of tea, but it resonated with me. On the cover, a blurb from Esquire says, â⦠a kick in the ass.â Thatâs exactly how Iâd describe it too.
Philip Clark –
This book confirms many issues that I have faced as an artist over the years and provides solid rationale, examples and actionable advice on being a professional. Whatever your field.I read this book in one morning – it is an easy and enjoyable read. Highly recommend if you find getting your creative idea or project started and finished. I write music but this applies to anything.
Rafael Bianco –
Esse é aquele tipo de livro que vale a pena ler várias vezes, ele serve para diversas áreas da vida. A principal temática dele é sobre como lidar com nossos medos e construir a vida que desejamos. Apesar de não ter exercÃcios práticos, ele é cheio de reflexões e perguntas fundamentais para o seu desenvolvimento.
Joep B –
Amazeballs, great book. I’m currently procrastinating and writing reviews instead of working. But, this is a great book with short chapters and you should definitely need it if you find your time to have any value beyond minimum wage. Take care <3
mayukh mukhopadhyay –
I came to know about this book in a podcast hosted by mark manson (of the subtle art of not giving…) where he told he uses this book himself to clear his own writer’s block and mitigate procrastination.This book is a shrink for writers who wants to start writing again ( or any work that they feel a resistance from within)Mark manson was not wrong. This book does the job. Paperback is the best buy, as the book is not a dense read. Hardcover can be avoided.
Bosco Gamiz –
Ok. I read or heard about this book enough times to be intrigued and I went and read it. And yeah, I get it. It’s not what I’d usually consider would appeal to me, but it did. A great deal actually. Just a few underlines, but very powerful ones. I’m not too keen on the machoesque undertones, but nothing to really trip over. Just a stylistic choice. The message comes through loud and clear. And it’s one worth hearing.